'How do you respond to the presentation of Curley’s wife in ‘Of Mice and Men’? Essay\r'

'Curley’s married woman is presented as quite an doubtful region. She is seen in two counsels: in wiz way she is seen as ` chuck turn up bait’, a `tart’ and ` rate’. In another way she is seen as a victim of a manly society, the just now female on the bring forth. flat as a main character in the novel, she remains nameless and nevertheless as `Curley’s married woman’. This makes her lowering want Curley’s property like Curley’s horse or clothes. This is alike symbolic of the role of women at the m in which Of Mice and hands was set. Curley’s married woman is seen as a real lightsome woman, only that is only because of the picture you go on in your mind from the description of her coquettish attitudes. Before we veritable(a) meet Curley’s married woman she is degraded by Candy, the ` r atomic number 18 swamper’. He accuses her of having â€Å"the eye” even though she has been snuff it hitched with two weeks: â€Å"You whop what I deal? … I think Curleys married a tart.” Candy says this because, Curley’s wife gives a few of the other workers â€Å"the eye.” or so he thinks. Curley’s wife enters the bunkhouse; she uses the excuse that she is looking for Curley. She does not be to want to leave.\r\nGeorge tells her that he was here earlier. She stable does not leave though, â€Å"she put her hold behind her back and leaned once morest the door figure of speech so that her body was thrown forward.” This demonstrates her flirtatious nature. Curley’s wife backs her story up by formulation, â€Å"sometimes he’s in here” looking at her hands as she does so. She finally leaves when George again tells her that Curley isn’t on that point. â€Å"Nobody can’t blame a person for looking.” Curley’s wife says this almost to protect herself, as if to say, nobody can faul t her if she is only looking for her keep up. When thinking ab step forward or looking at what Curley’s wife is wearing, you would not associate it with every daylight life on a farm; she is out of pop. Does this carry on throughout the story? Is she always out of place? â€Å"She had full rouged lips and wide-spaced eyes, heavily do up. Her fingernails were tearing. Her hair hung in little involute clusters, like sausages. She wore cotton house go through hold and carmine mules.\r\nOn the insteps of which were little bouquets of red-faced ostrich feathers.” The constant reminder of red gives us two ideas: champion, red world used as the colour of passion. but another sign of Curley’s wife’s flirtatious manner: two, red showing danger. All the signs of red could be a link to the red make out of the girl in Weed, where George and Lennie previously worked. Could there be a link? Curley’s wife recognises that her body and sexuality atom ic number 18 her only weapons and she’s using them. In Steinbeck’s words â€Å"she had only ane thing to sell and she knew it.” Curley’s wife is portrayed as this `tart’ and ` jailhouse bait’ not purely by accident. This portrayal is purely through the former’s actions. The mere fact that she is know only as Curley’s wife is a clear sign of her anonymity. She is given over no name or in fact no identity. Is this hatred to women on Steinback’s part, or is he addressing the unimaginative attitudes towards women? Curley’s wife like everybody else has fantasys.\r\nCurley’s wife’s dream is to be a star. Curley’s wife was asked to go on a show when she was younger, but her mother wouldn’t let her. Curley’s wife remembers a man in the â€Å"pitchers.” Said he’d economize to her virtually becoming an actress and being in the movies. Curley’s wife says that her mother steal the letter when it came, to stop her from reaching her dream, when it really didn’t come at all. â€Å" well up I wasn’t gonna stay no place where I couldn’t get nowhere or make something of myself… so I married Curley” this gives a sacrosanct impression that she married Curley purely out of spite, toward her mother. She goes on to say that â€Å"I put one over’ like Curley” this confirms the fact that she married him out of spite. Like the rest of the dreams in of Mice and Men hers so far has failed. â€Å"I coulda do somethin of myself… maybe I will yet.”\r\n moreover Curley’s wife is excuse keeping on to a faint glistening of hope. This may explain Curley’s wife’s behaviour on the bed cover; she may see it as a stage and the workers as her audience. In chapter quartet our attitudes towards Curley’s wife change dramatically throughout. In the beginning a tang of sympathy and loneliness is aroused, because of her failed dreams and the way her husband kickshaws her or rather doesn’t treat her â€Å"Think I don’t know where they all went?” Curley and the other cattle farm workers are sp coating their evening in a brothel. Toward the end a vox populi of hatred or dislike is built up, beginning with her flirtatious manner to Lennie, ending with her racial abuse and threats towards Crooks: â€Å"I could get you strung up on a tree so easy it aint even funny.”\r\nThis is another sign of the society at that time. Curley’s wife mocks the dream of George, Lennie and Candy, saying that they almost had better things to spend their currency on: â€Å"Baloney… I seen similarly many you guys. If you had two cents in the worl’ why you’d be getting two shots of corn… And sucking the bottom of the glass.” This is a clear sign, to the reader, of her naivet�. Here she is mocking others dreams, when not so long ago her dream shattered around her. Curley’s wife’s devastation can be looked upon in many different ways. From the way the other characters are seen to respond, it is as if they are the victims of the death and not her. The way in which the author describes the body is the opposite: â€Å"She was very pretty and simple, and her face was sweet and young.”\r\nThis would evoke an innocent frame of mind, as if her death had transformed her. To someone or something better. point though Curley’s wife is dead, she is still subject to blame. Candy is one of those who find oneself this way, talking to the lifeless body â€Å"You make it, di’n’t you? I s’pose you’re glad. Everybody knowed you’d kitty things up. You wasn’t no honest. You aint no good now, you lousy tart.” When the `guys’ find out about her death, I don’t think that Curley seems to realise that his wife i s dead.\r\nHe doesn’t stop to mourn at all, or hold her one last time, as any self-respecting man would do. He is only interested in one thing, revenge. In conclusion Curley’s wife is seen as an ambiguous character. Her moods and mannerisms change throughout the novel. She is presented, as somebody that no one likes not even her own husband. I think this is character is very interpret and if anyone was to take the time to get to know her a little better I’m sure Curley’s wife could be a very ` becoming’ person.\r\n'