Spiritual Views in Emersons The Poet Essay -- Emerson Poet Essays

Spiritual Views in Emersons The Poet Transcendental, and consequently pantheist, views act as fluidly passim Emersons texts, especially as he attempts to particularize his image of the immaculate poet in his essay, The Poet. He continually uses religious toll to express his feelings, scarcely warps these terms to fit his own unique spirituality. This technique somewhat aids to define his unique(predicate) religious views which mirror the view of transcendentalism and pantheism. Emersons ideal poet is a pantheist who can express the symbols of the macrocosm through linguistic process. Emerson begins the essay by explaining that numerous people atomic number 18 taught rules and particulars to decide what is good art, and thitherfore count themselves cum laude critics although they have no feeling for art in their soul. He states that mental men, perhaps the cold Unitarians from which he broke away, theologians, and modern poets do not acknowledge a relation ship between the physical world and the foreland and then praises the highest minds (such as Swedenborg, Plato and Heraclitus) who instead examine everything to its fullest servicemanifold meaning. I fetch it interesting that in the lines We were fix into our bodies, as fire is put into a pan and we are but children of the fire, make of it, and only the aforesaid(prenominal) divinity transmuted, and at two or three removes, when we know least(prenominal) tightly fittingly it that Emerson compares human souls to fire. Heraclitus believed that fire was the essence of everything, similar to Anaximanders concept of apeiron. Emerson here shows his pantheistic view that we have all come from the same elysian stuff, and being two or three removes away from its Godly source, we are ineffective on a basic level to fully extend it. This is overly remin... ...his ideal poet, and in doing shows that he feels the poet is representative, both in apply words as representativ e symbols and as a representative of lifespan itself. The ideal poet becomes a portrait of a man incredibly close to nature, and therefore close to Emersons view of God. The poet is a spiritual man who transcends our man made reality through introspection into the abyss of Gods Reality, bringing endorse with him carefully sculpted words for man-kinds consumption in an effort to help man-kind fail understand life and the world in which it is lived. Works CitedEmerson, Ralph Waldo. The Poet. The heathland Anthology of American Literature, Vol. 1. Third Ed. Paul Lauter, et al., eds. in the raw York Houghton Mifflin Company, 1998. 1646-1661. The Selected Writings of Ralph Waldo Emerson. Ed. Brooks Atkinson. New York modern font Library, 1950. Spiritual Views in Emersons The Poet Essay -- Emerson Poet EssaysSpiritual Views in Emersons The Poet Transcendental, and therefore pantheist, views run fluidly throughout Emersons texts, especially as he attempts to define his image of the perfect poet in his essay, The Poet. He continually uses religious terms to express his feelings, but warps these terms to fit his own unique spirituality. This technique somewhat helps to define his specific religious views which mirror the view of transcendentalism and pantheism. Emersons ideal poet is a pantheist who can express the symbols of the world through words. Emerson begins the essay by explaining that many people are taught rules and particulars to decide what is good art, and therefore deem themselves worthy critics although they have no feeling for art in their soul. He states that intellectual men, perhaps the cold Unitarians from which he broke away, theologians, and modern poets do not acknowledge a relationship between the physical world and the mind and then praises the highest minds (such as Swedenborg, Plato and Heraclitus) who instead examine everything to its fullest manifold meaning. I find it interesting that in the lin es We were put into our bodies, as fire is put into a pan and we are but children of the fire, made of it, and only the same divinity transmuted, and at two or three removes, when we know least about it that Emerson compares human souls to fire. Heraclitus believed that fire was the essence of everything, similar to Anaximanders concept of apeiron. Emerson here shows his pantheistic view that we have all come from the same divine stuff, and being two or three removes away from its Godly source, we are unable on a basic level to fully comprehend it. This is also remin... ...his ideal poet, and in doing shows that he feels the poet is representative, both in using words as representative symbols and as a representative of life itself. The ideal poet becomes a portrait of a man incredibly close to nature, and therefore close to Emersons view of God. The poet is a spiritual man who transcends our man made reality through introspection into the abyss of Gods Reality, bringing back with him carefully sculpted words for man-kinds consumption in an effort to help man-kind better understand life and the world in which it is lived. Works CitedEmerson, Ralph Waldo. The Poet. The Heath Anthology of American Literature, Vol. 1. Third Ed. Paul Lauter, et al., eds. New York Houghton Mifflin Company, 1998. 1646-1661. The Selected Writings of Ralph Waldo Emerson. Ed. Brooks Atkinson. New York Modern Library, 1950.